by Jon (Updated on 2015-10-20)
Stencyl uses an industry-standard physics engine (Box2D) into all its games. What's the benefit? You get realistic and accurate collisions for free, and Actors generally behave like real-world objects.
How realistic? Try out the following demo.
Note: The rest of this article is a reference guide for an actor's Physics page. If you're skimming or are a first timer, read through these sections and skip the others for now. They are the most important!
- General Tab
- Lightweight Actors
- Gotchas
Determines whether the Actor can move or not.
Gotcha: A "Cannot Be Pushed" actor will not collide with tiles. In Box2D speak, it's known as a Kinematic body. A clever way to simulate "Cannot Be Pushed" without its sideeffects is to assign a very high mass to an Actor.
Determines whether or not your actor can rotate. Rotation happens either naturally through physics, setting the turning speed or twisting it with some force.
Note: Setting the direction (angle) of an actor can still be done, regardless of this setting. Tweening also ignores this setting.
Gravity is a constant force that affects all bodies within a scene. Gravity can be set to any direction and magnitude (strength) via the Physics page of a Scene. Gravity does not necessarily have to point downwards.
You can set an Actor to obey or ignore gravity.
Note: The apparent "strength" of gravity is affected by an Actor's mass. The higher the Actor's mass, the slower it will fall. This is not how gravity works in real life but is a simple approximation by Box2D to simulate it.
How much your actor "weighs." The "heavier" you make an actor, the harder it will be for other objects to move it.
Tip: Setting a very high mass can roughly simulate infinite mass / cannot be pushed, without the side-effects of that mode.
Angular mass determines an actors resistance to rotational forces. As such, the higher the number, the slower an actor will rotate when subjected to rotational forces (twisting).
Note: Angular mass is only relevant if the Actor is set to "Can Rotate"
Materials are preset values that use different combinations of Friction and Bounciness to simulate the material listed.
Material | Friction | Bounciness |
---|---|---|
Wood | 0.5 | 0.17 |
Metal | 0.13 | 0.17 |
Stone | 0.75 | 0.05 |
Plastic | 0.38 | 0.09 |
Rubber | 0.75 | 0.95 |
Dead Weight | 1 | 0 |
Super Ball | 1 | 0.95 |
Friction determines the "roughness" of the Actor's surface. A high friction will cause an Actor to slow down quicker when sliding. A low, or zero, friction will cause the Actor to glide far or never slow down at all.
In real-life high friction surfaces would include dirt and sandpaper. Low-friction surfaces could include ice and glass.
Demo Note: In this demo, press left/right and lift your key off. Observe that one actor stops moving quickly (high friction) and the other keeps moving, as if he were on ice.
Setting bounciness to a value of 1.0 means an actor will bounce back to the same height it fell from, whereas a value of 0.0 means it won’t bounce at all.
Demo Note: Demo Note: In this demo, the balls bounce differently depending on their bounciness. The one with bounciness = 1 bounces back to the same height.
Friction and Bounciness multiply the values of the two colliding Actors to come up with the effective Friction or Bounciness. For example, if two actors have a friction of 0.5, their effective friction becomes 0.25.
This works out well for actors that have a friction of bounciness of 0 - as you'd expect, that negates everything and causes an effective friction/bounciness value of 0 too.
Terrain/Tiles have friction and bounciness of values of 1, so they have no net effect whichever way.
Damping is a difficult topic to visualize. It's a form of resistance against motion or rotation that varies depending on how quickly the Actor is moving or rotating.
Linear Damping is like wind or air resistance. It grows stronger as your Actor moves more quickly to the point where the Damping is so strong that the Actor is unable to move any faster. This is known as Terminal Velocity.
Angular Damping is the same idea, except applied to rotation. It puts an effective cap on how fast an Actor can rotate and smooths out things if you find your Actor to rotate too quickly when subjected to twisting (angular forces).
Let you opt this Actor out of physics. We talk about this further in the next section.
Note: Collisions for this Actor will also cease to function when you do this.
Choosing “Yes” for this option will automatically re-size your Actor’s collision bounds when you resize the Actor using the "scale to" Tweening block. Choosing “No” means the collision bounds will stay the same regardless of what happens to the Actor.
Demo Note: Notice that the actor on the right remains at the same collision size.
Enable this setting to prevent this Actor, if it moves quickly enough, from penetrating through thin surfaces, like shown below. This setting is useful for small and quick actors, such as bullets, arrows and other weapons.
Learn more about Continuous Collisions.
Opts an Actor in/out of the Pausing system.
Lightweight Actors are actors that opt out of the physics system.
The Lightweight Actors feature works well for games that involve many actors or require more precise motion and collision detection than Box2D allows. For example...
The Lightweight physics feature lets you selectively opt an actor out of physics. Even in regular games, this can prove to be useful for...
Bear in mind that when you turn off physics, the actor no longer collides with anything, can no longer be pushed and is generally barred from any physics-related features. Setting position and velocity will still work.
Going with lightweight actors can be a game-saving choice if done right, but you need to understand its limitations.
Note: Images are arguably a more powerful form of lightweight actor. They are more difficult to setup and have a different set of limitations, but they work particularly well for creating special effects and eye-candy.
Sometimes, an actor will get caught in the corner of a box and be unable to move further. In a similar scenario, a jumping actor who jumps right next to a wall versus a little bit off the wall will find his jump to be shorter.
The reasons behind this are quite technical, but the workarounds are less so. The easiest workaround is to redo the actor's collision shape as...
Several legitimate reasons for this.
The two actors are set to "Cannot Move", "Cannot Be Pushed" or a combination of the two. This is just the way Box2D works and can catch you off guard.
Did you make sure the actors aren't set as Sensors?
Create a simple game with moving platforms inside of it, like you've find in any Mario game. It's trickier than it sounds at first!
What are some of the considerations?
Start with a platform that moves up and down. Then, try one that moves left and right.